Monday, 25 April 2011

Keelhaul

I was lucky enough to see these guys play a few days ago. Lucky because a) they don't tour outside of the U.S. that much, on account of being old and poor; and b) they are fucking brilliant.

They play kind of sludgey-mathy-stoner-off-kilter hard rock songs, which are all instrumental, apart from the bits with singing. Despite their astonishing talent for both writing and playing amazing music, and widespread critical acclaim for their efforts, almost no-one has ever heard of them; and fewer still buy their records. Hence the title of their very excellent fourth record, Keelhaul's Triumphant Return to Obscurity.

And that's about all I have time for today.




Website: nope

Tuesday, 19 April 2011

Touché Amoré

In theory I'm desperately busy with other stuff at the moment, so just a quick one to point you in the direction of Touché Amoré.

They're some sort of post hardcore band, or something.

It all sounds very desperate and impassioned; and might even have been described as "emo" in a time before that became such a dirty word. Despite this, they are very good.




Myspace: nope

Monday, 11 April 2011

Foo Fighters

Well, sort of anyway. To be honest, I don't really like the Foo Fighters all that much. Sure, they're reportedly a smashing bunch of chaps, and they play huge stadium-filling radio-friendly rock anthems that appeal to young and old alike - and that's fine, if you like that sort of thing. But judging by the fact that other bands to have graced these pages include Trash Talk, Black Sheep Wall, Sunn o))) and Raging Speedhorn, I think it's fair to say that I don't.

Thing is, I do really like their first two albums; and in particular their eponymous debut, which is one of those definitive summer albums - much like Kings of Leon's Youth and Young Manhood, or Beck's Mellow Gold. I can't explain why, but these are records that just sound better on a sunny day with all the windows open; and since it started getting warmer towards the end of last week, that first Foo's album has just kept on spinning.




Tuesday, 5 April 2011

Tool

Progressive metal. Sounds pretentious, right? You're damn right it's pretentious.

That doesn't have to be a bad thing, though. I mean, if you're pretentious and a bit rubbish - I'm thinking of all those terrible warbling Scandinavian symphonic metal abortions here - then fair enough, you do just look like a bunch of twats. But if you're pretentious and fucking amazing...

Tool compose complex songs that are too long for regular radio play, or even for specialist music channels; and even then, their videos are often considered too disturbing for music television. They are fiercely private, and are therefore very rarely - if ever - featured in the music press. They've been going for over 20 years, and in that time have only released four full-length records. And despite all of this, they are one of the most successful alternative music acts on the planet.

Which can only be because they are completely unbelievably fucking amazing.

I'd like to go on to describe how they redefine this and that, and sculpt musical landscapes, and transcend stuff and things... but that would just end up sounding pretentious. And since I am also a bit rubbish, that will just make me look like a bunch of twats.





Monday, 28 March 2011

The Death Of Her Money

I caught these guys purely by chance a couple of years ago, when they played at Bristol's crustiest pub The Junction in support of Mea Culpa. They were pretty good as I recall, which makes it all the more inexplicable that I am only just now giving them a proper listen.

They're probably best described as post metal, which draws inevitable comparisons to Isis. But since Isis are one of the best bands to have smashed eardrums in the last 15 years, that can hardly be seen as a bad thing. And whilst the comparisons are justified to a certain extent, TDOHM are no mere copyists, taking the post metal template and throwing in elements of sludge and shoegaze.

Which I guess makes post-sludgegaze? Fuck, that sounds rubbish.

The Death Of Her Money play heavy music. They like big riffs, lots of distortion and a bit of shouting. They are very, very good and you need them in your life.




Wikipedia: nope

Monday, 21 March 2011

Raging Speedhorn

I saw these guys three times.

The first time was when they were supporting Biohazard, back in 2000. A spot of rain and a stiff breeze had crippled all transport networks in the south of the UK, so they took to the stage late and announced themselves as "you should all know who we are by now." They then spent the next half hour aurally beating everyone into submission. We actually had no idea who they were, but sussed it out by carefully examining the merch table. I bought a T-shirt that bore the band logo on the front and the slogan "SNIFF GLUE WORSHIP SATAN" on the back.*

The second time was a year or so later, when they co-headlined the Astoria 2 with Clutch. Earlier that day, as a special birthday treat, my friend Tim (who used to make a living selling gay porn to paratroopers) had taken me to the biggest charity shop in North Camp. We each bought a suit for £10, which we wore to the gig that night. Mine was dark green, 2-3 sizes too big, and worn with a bright yellow shirt. Tim's was a shade of metallic plum, as I recall. We threw some powerful funk moves that night. Every so often someone would tell us that we looked awesome; and we would look at their greying Slayer T-shirt and dirty jeans and tell them that they looked a shambles.

The third and final time was in 2008, on what turned out to be Raging Speedhorn's farewell tour. They finished as they started, playing grotty toilet circuit venues where you can get close enough to the band that they can hit you in the head with a guitar. They were awesome. For this final tour, their record label SPV had decided to wring as much money out of the band as they could and were charging the band in inordinate sum of money for copies of their record to sell at the merch stand. Raging Speedhorn were faced with the choice of either absorbing the cost themselves and therefore making no/negative money, or passing the cost onto the fans and therefore making no/negative money and pissing everyone off too. Raging Speedhorn chose a third way; they sold bootlegs of their own record for a fiver.

Legends.




Website: nope

*The third best T-shirt slogan of all time. Second best is Charger's "VOLUME OVER TALENT"; top prize goes to defunct Scottish hardcore types Co-Exist, who instead of T-shirts sold white wife-beater vests bearing the slogan "KILL EVERY CUNT."

Monday, 14 March 2011

YOB

Still on kind of a doom trip at the mo; to be honest, still mostly listening to a lot of Electric Wizard.

And why not.

But in the search for further turgid heaviosity I also dug out these guys again. Still doom, as I say; but they trade in the 'Wizards Hammer horror black magic rituals for gigantic space-faring bulldozers. Like if Devastator was made entirely out of Bonecrusher, the bulldozer constructicon; and then he combined with a load of other Devastators made out of bulldozers to make one giant Devastator, that then transformed into a bulldozer driven by a Devastator made out of bulldozers.

Crushing.